Independence Day

 Independence Day  is a 1996 American epic science fiction disaster film co-written andDIRECTED by Roland Emmerich. The film stars Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell, Judd Hirsch, Margaret Colin, Randy Quaid, Robert Loggia, James Rebhorn, Vivica A. Fox, and [https://www.wikiwand.com/en/Harry_Connick,_Jr. Harry Connick, Jr.]The film focuses on a disparate group of people who converge in the Nevada desert in the aftermath of a destructive alien attack and, along with the rest of the human population, participate in a last-chance counterattack on July 4, the same date as the Independence Day holiday in the United States. The screenplay was written by Emmerich and producer Dean Devlin.

While promoting Stargate in Europe, Emmerich came up with the idea for the film when fielding a question about his own belief in the existence of alien life. He and Devlin decided to incorporate a large-scale attack when noticing that aliens in most invasion films travel long distances in outer space only to remain hidden when reaching Earth. Principal photography for the film began in July 1995 in New York City, and the film was officially completed on June 20, 1996.

The film was scheduled for release on July 3, 1996, but due to its high level of anticipation, many theaters began showing it on the evening of July 2, 1996, the same day the story of the film begins. The film's combined domestic and international box office gross is $817,400,891, which, at the time, was the second-highest worldwide gross of all time. It is currently the 47th highest-grossing film of all time and was at the forefront of the large-scale disaster film and science fiction resurgences of the mid-to-late-1990s. It received mixed to positive reviews upon release, with critics praising its groundbreaking visual effects, score, and acting, but criticizing its plot and character development. It won the Academy Award for Best Visual Effects, and was also nominated for Best Sound Mixing. A sequel, Independence Day: Resurgence, is scheduled to be released on June 24, 2016.

Plot
× Ads by RandomPrice  On July 2, a 500 km wide alien mothership enters Earth's orbit and deploys several dozen saucer-shaped "destroyer" spacecraft, each 15 miles (24 km) wide. As they take position over some of Earth's major cities, David Levinson (Jeff Goldblum), an MIT graduate working for a cable company in New York City, discovers hidden transmissions in Earth's satellites which he realizes is a timer counting down to a coordinated attack by the aliens. With the support of his estranged wife Constance Spano (Margaret Colin), the White HouseCommunications Director, he and his father Julius (Judd Hirsch) gain entrance into the Oval Office to notify President Thomas J. Whitmore (Bill Pullman) about the attack. Whitmore orders large-scale evacuations of the targeted cities, but the aliens attack with advanced directed-energy weapons before these can be carried out. Whitmore, portions of his staff, and the Levinsons narrowly escape aboard Air Force One as Washington, D.C. is destroyed.

On July 3, the Black Knights, a squadron of Marine Corps F/A-18 Hornets, participate in an assault on a destroyer near the ruins of Los Angeles. Their weapons fail to penetrate the craft's force field. Dozens of "attacker" ships are launched by the aliens in defense, and a one-sided dogfight ensues in which nearly all the Hornets are destroyed. Afterwards, many American militaryINSTALLATIONS, including NORAD, are destroyed, killing the Vice President and most of the Cabinet who had been hiding there. Captain Steven Hiller (Will Smith) is the only pilot to survive the Los Angeles assault by luring a single attacker to the Grand Canyon and causing their aircraft to crash into the desert. He subdues the injured alien and is rescued by Russell Casse (Randy Quaid), who is traveling across the desert with a group of refugees. They take the alien to nearby Area 51, where Whitmore and his remaining staff have also landed. Area 51 conceals a top-secret facility housing a repaired attacker and three alien bodiesRECOVERED from Roswell in 1947.

When scientist Dr. Brackish Okun (Brent Spiner) attempts to autopsy the alien, it regains consciousness and attempts to escape. When questioned by Whitmore, the alien attempts a psychic attack against him, but is killed by Whitmore'sSECURITY detail. Whitmore then mentions that while he was being attacked, he saw the alien's thoughts; what its species was planning to do. They are like locusts; their entire species travel from planet to planet, destroying all life and harvesting the natural resources. Whitmore orders a nuclear attack on the destroyers, a B-2 Spirit fires a nuclear missile at one of the destroyers above Houston but the missile fails to penetrate the force field of the destroyer and the remaining strikes are aborted.

On July 4, Levinson devises a plan to use the repaired attacker to introduce a computer virus and plant a nuclear missile on board the mothership, theorizing that this will disrupt the force fields of the destroyers. HillerVOLUNTEERS to pilot the attacker, with Levinson accompanying him. With not enough military pilots to man all available aircraft, volunteers including Whitmore and Casse are enlisted for the counterstrike.

With the successful implantation of theVIRUS, Whitmore leads the attack against an alien destroyer approaching Area 51. Although the force field is deactivated and the fighters are able to inflict damage, the hull of the destroyer was too big to inflict serious damage. As a result, the fighter's supply of missiles quickly becomes exhausted. As the destroyer prepares to fire on the base, Casse has one missile left, but it jams. He decides to fly his plane directly into the alien weapon in akamikaze attack, which kills him but destroys it. The Americans inform resistance forces around the world about how to destroy the alien ships. The nuclear device destroys the alien mothership as Hiller and Levinson escape unharmed back to Earth. The whole world then celebrates its heroes' victory as well as its true 'Independence Day'.

Cast

 * Will Smith as Captain Steven Hiller, an assured U.S. Marine Corps F/A-18 pilot with VMFA-314 who aspires to be an astronaut, even after being turned down by NASA. Devlin and Emmerich had always envisioned an African-American for the role,[ 3 ] and specifically wanted Smith after seeing his performance in Six Degrees of Separation.[ 4 ]
 * Bill Pullman as Thomas J. Whitmore, the President of the United States and a former Persian Gulf War fighter pilot. To prepare for the role, Pullman read Bob Woodward's The Commanders and watched the documentary film The War Room.[ 5 ]
 * Jeff Goldblum as David Levinson, an MIT-educatedCOMPUTER expert, chess enthusiast, and environmentalist, working as a satellite technician in New York City.
 * Mary McDonnell as First Lady Marilyn Whitmore, President Whitmore's wife.
 * Judd Hirsch as Julius Levinson, David's father. The character was based on one of producer Dean Devlin's uncles.[ 6 ]
 * Robert Loggia as General William Grey, a U.S. Marine Corps general who is the Chairman of the Joint Chiefs of Staff. Loggia modeled the character after generals of World War II, particularly George S. Patton.<span class="reference" id="cite_ref-7" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 7 ]
 * Randy Quaid as Russell Casse, a widowed, alcoholic crop duster and veteran Vietnam War pilot who claims to have beenabducted by the aliens ten years prior to the film's events.
 * Margaret Colin as Constance Spano, White House Communications Director and David's former wife.
 * Vivica A. Fox as Jasmine Dubrow, a single mother, Steven's girlfriend (later wife), and exotic dancer.
 * James Rebhorn as Albert Nimzicki, the U.S. Secretary of Defense and former director of the CIA. Rebhorn described the character as being much like Oliver North.<span class="reference" id="cite_ref-8" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 8 ] The character's eventual firing lampoons Joe Nimziki,<span class="reference" id="cite_ref-bnet_9-0" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 9 ] MGM's head of advertising who reportedly accounted for unpleasant experiences for Devlin and Emmerich when studio executives forced recuts of Stargate.<span class="reference" id="cite_ref-EW_10-0" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 10 ]
 * Harvey Fierstein as Marty Gilbert, David's boss.
 * Adam Baldwin as Major Mitchell, a U.S. Air Force officer who is Area 51's commanding officer.
 * Brent Spiner as Dr. Brackish Okun, the unkempt and highly excitable scientist in charge of research at Area 51. Devlin, who is open to the idea of bringing Dr. Okun back in the event of a sequel, later implied the character is merely in a coma when he appears to have been killed by an alien.<span class="reference" id="cite_ref-11" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 11 ] The character's appearance and verbal style are based upon those of visual effects supervisor Jeffrey A. Okun, with whom Emmerich had worked on Stargate.<span class="reference" id="cite_ref-12" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 12 ]
 * James Duval as Miguel Casse, Russell's eldest son.
 * Lisa Jakub as Alicia Casse, Russell's teenage daughter.
 * Giuseppe Andrews as Troy Casse, Russell's younger son.
 * Ross Bagley as Dylan Dubrow, Jasmine Dubrow's son.
 * Mae Whitman as Patricia Whitmore, President Whitmore's daughter.
 * Bill Smitrovich as Captain Watson.
 * Kiersten Warren as Tiffany, Jasmine's exotic dancer friend.
 * Harry Connick, Jr. as Captain Jimmy Wilder, Steve's best friend and fellow pilot. Connick took over the part for Matthew Perry, originally cast in the role.<span class="reference" id="cite_ref-doc_13-0" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 13 ]
 * Frank Welker as Alien Vocal Effects

Production
F/A-18 Hornets of VMFA-314, "Black Knights"<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The idea for the film came when Emmerich and Devlin were in Europe promoting their film Stargate. A reporter asked Emmerich why he made a film with content like Stargate if he did not believe in aliens. Emmerich stated he was still fascinated by the idea of an alien arrival, and further explained his response by asking the reporter to imagine what it would be like to wake up one morning and discover 15-mile-wide spaceships were hovering over the world's largest cities. Emmerich then turned to Devlin and said, "I think I have an idea for our next film."<span class="reference" id="cite_ref-dvd_6-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ]<span class="reference" id="cite_ref-ID41_14-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ]<span class="reference" id="cite_ref-EW7_15-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 15 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"><span class="e26oPE e26oPEr" e26o="1" style="box-sizing:content-box;margin-top:5px;margin-bottom:5px;margin-left:10px;-webkit-user-select:none;visibility:visible;position:relative;height:265px;width:300px;direction:ltr;float:right;clear:right;display:inline-block!important;"><span class="e26opbtxt" style="box-sizing:content-box;white-space:nowrap;max-height:none;min-height:0px;overflow:visible;display:inline-block;vertical-align:text-top;font-family:'ArialNarrow',Arial,sans-serif;letter-spacing:0px;-webkit-user-select:none;visibility:visible;direction:ltr;color:rgb(170,170,170)!important;line-height:10px!important;height:11px!important;font-size:9px!important;"><span class="e26ox" style="box-sizing:content-box;color:rgb(102,102,102);max-height:none;min-height:0px;overflow:visible;font-family:Arial,sans-serif;font-weight:bold;display:inline-block;cursor:pointer;text-shadow:rgb(255,255,255)0px0px1px;vertical-align:middle;-webkit-user-select:none;visibility:visible;direction:ltr;height:11px!important;font-size:18px!important;">× <span style="box-sizing:content-box;-webkit-user-select:none;visibility:visible;display:inline-block;direction:ltr;letter-spacing:0px;">Ads by RandomPrice  Emmerich and Devlin decided to expand on the idea by incorporating a large-scale attack, with Devlin saying he was bothered by the fact that "for the most part, in alien invasionMOVIES, they come down to Earth and they're hidden in some back field ...[o]r they arrive in little spores and inject themselves into the back of someone's head."<span class="reference" id="cite_ref-ID42_16-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 16 ] Emmerich agreed by asking Devlin if arriving from across the galaxy, "would you hide on a farm or would you make a big entrance?"<span class="reference" id="cite_ref-ID42_16-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 16 ] The two wrote the script during a month-long vacation in Mexico,<span class="reference" id="cite_ref-ID41_14-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ] and just one day after they sent it out for consideration, 20th Century Fox chairman Peter Chernin greenlit the screenplay.<span class="reference" id="cite_ref-EW_10-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ] Pre-production began just three days later in February 1995.<span class="reference" id="cite_ref-dvd_6-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ]<span class="reference" id="cite_ref-ID41_14-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 14 ] The U.S. military originally intended to provide personnel, vehicles, and costumes for the film; however, they backed out when the producers refused to remove the script's Area 51 references.<span class="reference" id="cite_ref-dvd_6-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">A then-record 3,000-plus special effects shots would ultimately be required for the film.<span class="reference" id="cite_ref-EW7_15-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 15 ] The shoot utilized on-set, in-camera special effects more often than computer-generated effects in an effort to save money and get more authentic pyrotechnic results.<span class="reference" id="cite_ref-dvd_6-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ] Many of these shots were accomplished at Hughes Aircraft in Culver City, California, where the film's art department, motion control photography teams, pyrotechnics team, and model shop were headquartered. The production's model-making department built more than twice as many miniatures for the production than had ever been built for any film before by creating miniatures for buildings, city streets, aircraft, landmarks, and monuments.<span class="reference" id="cite_ref-Aberly_and_Engel_1996.2C_p._72_17-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 17 ] The crew also built miniatures for several of the spaceships featured in the film, including a 30-foot (9.1 m) destroyer model<span class="reference" id="cite_ref-18" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 18 ] and a version of the mother shipSPANNING 12 feet (3.7 m).<span class="reference" id="cite_ref-19" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 19 ] City streets were recreated, then tilted upright beneath a high-speed camera mounted on a scaffolding filming downwards. An explosion would be ignitedBELOW the model, and flames would rise towards the camera, engulfing the tilted model and creating the rolling "wall of destruction" look seen in the film.<span class="reference" id="cite_ref-20" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 20 ] A model of the White House was also created, covering 10 feet (3.0 m) by 5 feet (1.5 m), and was used in forced-perspective shots before being destroyed in a similar fashion for its own destruction scene.<span class="reference" id="cite_ref-ID43_21-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 21 ] The detonation took a week to plan<span class="reference" id="cite_ref-EW_10-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ] and required 40 explosive charges.<span class="reference" id="cite_ref-ID43_21-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 21 ]

A World War II training aircraft with a camera mounted on its front navigated through the walls of the Little Colorado River canyon, and the footage was used as pilot point-of-view shots.<span class="reference" id="cite_ref-22" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 22 ]<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The film's aliens were designed by production designer Patrick Tatopoulos. The actual aliens of the film are diminutive and based on a design Tatopoulos drew when tasked by Emmerich to create an alien that was "both familiar and completely original".<span class="reference" id="cite_ref-23" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 23 ] These creatures wear "bio-mechanical" suits that are based on another design Tatopoulos pitched to Emmerich. These suits were 8 feet (2.4 m) tall, equipped with 25 tentacles, and purposely designed to show it could not sustain a person inside so it would not appear to be a "man in a suit".<span class="reference" id="cite_ref-Aberly_and_Engel_p._91_24-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 24 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"><span class="e26oPE e26oPEr" e26o="1" style="box-sizing:content-box;margin-top:5px;margin-bottom:5px;margin-left:10px;-webkit-user-select:none;visibility:visible;position:relative;height:265px;width:300px;direction:ltr;float:right;clear:right;display:inline-block!important;"><span class="e26opbtxt" style="box-sizing:content-box;white-space:nowrap;max-height:none;min-height:0px;overflow:visible;display:inline-block;vertical-align:text-top;font-family:'ArialNarrow',Arial,sans-serif;letter-spacing:0px;-webkit-user-select:none;visibility:visible;direction:ltr;color:rgb(170,170,170)!important;line-height:10px!important;height:11px!important;font-size:9px!important;"><span class="e26ox" style="box-sizing:content-box;color:rgb(102,102,102);max-height:none;min-height:0px;overflow:visible;font-family:Arial,sans-serif;font-weight:bold;display:inline-block;cursor:pointer;text-shadow:rgb(255,255,255)0px0px1px;vertical-align:middle;-webkit-user-select:none;visibility:visible;direction:ltr;height:11px!important;font-size:18px!important;">× <span style="box-sizing:content-box;-webkit-user-select:none;visibility:visible;display:inline-block;direction:ltr;letter-spacing:0px;">Ads by RandomPrice  Principal photography began in July 1995 in New York City. A second unit gathered plate shots and establishing shots of Manhattan, Washington D.C., an RV community in Flagstaff, Arizona, and the Very Large Array on the Plains of San Agustin, New Mexico.<span class="reference" id="cite_ref-Aberly_and_Engel_p._91_24-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 24 ] The main crew also filmed in nearby Cliffside Park, New Jersey before moving to the former Kaiser Steel mill in Fontana, California to film the post-attack Los Angeles sequences.<span class="reference" id="cite_ref-25" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 25 ] The production then moved to Wendover, Utah and West Wendover, Nevada,<span class="reference" id="cite_ref-26" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 26 ] where the deserts doubled for Imperial Valleyand the Wendover Airport doubled for the El Toro and Area 51 exteriors.<span class="reference" id="cite_ref-27" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 27 ] It was here where Pullman filmed his pre-battle speech. Immediately before filming the scene, Devlin and Pullman decided to add "Today, we celebrate our Independence Day!" to the end of the speech. At the time, the production was nicknamed "ID4" because [https://www.wikiwand.com/en/Warner_Bros. Warner Bros.] owned the rights to the title Independence Day, and Devlin had hoped if Fox executives noticed the addition in dailies, the impact of the new dialogue would help them win the rights to the title.<span class="reference" id="cite_ref-dvd_6-5" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ] The right to use the title was eventually won two weeks later.<span class="reference" id="cite_ref-EW_10-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The production team moved to the Bonneville Salt Flats to film three scenes, then returned to California to film in various places around Los Angeles, including Hughes Aircraft where sets for the cable company and Area 51 interiors were constructed at a former aircraft plant. Sets for the latter included corridors containingWINDOWS that were covered with blue material. The filmmakers originally intended to use the chroma key technique to make it appear as if activity was happening on the other side of the glass; but the composited images were not added to the final print because production designers decided the blue panels gave the sets a "clinical look".<span class="reference" id="cite_ref-28" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 28 ] The attacker hangar set contained an attacker mock-up 65 feet (20 m) wide<span class="reference" id="cite_ref-Aberly_and_Engel_1996.2C_p._72_17-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 17 ] that took four months to build.<span class="reference" id="cite_ref-EW_10-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ] The White House interior sets used had already been built for The American President and had previously been used for Nixon.<span class="reference" id="cite_ref-ID43_21-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 21 ] Principal photography completed on November 3, 1995.<span class="reference" id="cite_ref-EW_10-5" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The film originally depicted Russell Casse being rejected as aVOLUNTEER for the July 4 aerial counteroffensive because of his alcoholism. He then uses a stolen missile tied to his red biplane to carry out his suicide mission. According to Dean Devlin, test audiences responded well to the scene's irony and comedic value.<span class="reference" id="cite_ref-dvd_6-6" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ] However, the scene was re-shot to include Russell's acceptance as aVOLUNTEER, his crash course in modern fighter aircraft, and him flying an F/A-18 instead of the biplane. Devlin preferred the alteration because the viewer now witnesses Russell ultimately making the decision to sacrifice his life,<span class="reference" id="cite_ref-dvd_6-7" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 6 ] and seeing the biplane keeping pace and flying amongst F/A-18s was "just not believable".<span class="reference" id="cite_ref-29" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 29 ] The film was officially completed on June 20, 1996.<span class="reference" id="cite_ref-EW_10-6" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 10 ]

Music
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2014)<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The score was composed by David Arnold and has received two official CD releases. RCA released a 50-minute album at the time of the film's release. Then in 2010, La-La Land Records released a limited edition 2-CD set that comprised the complete score plus 12 alternate cues.<span class="reference" id="cite_ref-30" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 30 ]

Release
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"><span class="e26oPE e26oPEr" e26o="1" style="box-sizing:content-box;margin-top:5px;margin-bottom:5px;margin-left:10px;-webkit-user-select:none;visibility:visible;position:relative;height:265px;width:300px;direction:ltr;float:right;clear:right;display:inline-block!important;"><span class="e26opbtxt" style="box-sizing:content-box;white-space:nowrap;max-height:none;min-height:0px;overflow:visible;display:inline-block;vertical-align:text-top;font-family:'ArialNarrow',Arial,sans-serif;letter-spacing:0px;-webkit-user-select:none;visibility:visible;direction:ltr;color:rgb(170,170,170)!important;line-height:10px!important;height:11px!important;font-size:9px!important;"><span class="e26ox" style="box-sizing:content-box;color:rgb(102,102,102);max-height:none;min-height:0px;overflow:visible;font-family:Arial,sans-serif;font-weight:bold;display:inline-block;cursor:pointer;text-shadow:rgb(255,255,255)0px0px1px;vertical-align:middle;-webkit-user-select:none;visibility:visible;direction:ltr;height:11px!important;font-size:18px!important;">× <span style="box-sizing:content-box;-webkit-user-select:none;visibility:visible;display:inline-block;direction:ltr;letter-spacing:0px;">Ads by RandomPrice  While the film was still in post-production, 20th Century Fox began a massive marketing campaign to help promote the film, beginning with the airing of a dramatic commercial during Super Bowl XXX, for which Fox paid $1.3 million.<span class="reference" id="cite_ref-31" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 31 ] The film's subsequent success at the box office resulted in the trend of using Super Bowl air time to kick off theADVERTISING CAMPAIGN for potential blockbusters.<span class="reference" id="cite_ref-mojoad_32-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 32 ]<span class="reference" id="cite_ref-JS_33-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 33 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Fox's Licensing and Merchandising division also entered into co-promotionalDEALS with [https://www.wikiwand.com/en/Apple_Inc. Apple Inc.] The co-marketing project was dubbed "The Power to Save the World" campaign, in which the company used footage of David using hisPowerBook laptop in their print and television advertisements.<span class="reference" id="cite_ref-Mac_34-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 34 ] Trendmastersentered a merchandisingDEAL with the film's producers to create a line of tie-intoys.<span class="reference" id="cite_ref-EW5_35-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 35 ] In exchange for product placement, Fox also entered into co-promotionalDEALS with Molson Coors Brewing Company and Coca-Cola.<span class="reference" id="cite_ref-36" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 36 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The film was marketed with several taglines, including: "We've always believed we weren't alone. On July 4, we'll wish we were", "Earth. Take a good look. It could be your last", and "Don't make plans for August". The weekend before the film's release, the Fox Network aired a half-hour special on the film, the first third of which was a spoof news report on the events that happen in the film. Roger Ebert attributed most of the film's early success to its teaser trailers and marketing campaigns, acknowledging them as "truly brilliant".<span class="reference" id="cite_ref-ear_37-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 37 ]

The shot of the White House's destruction was the focus of the film's marketing campaign. A fleeing helicopter was added to the shot in the final print.<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">The film had its official premiere held at Los Angeles' now-defunct Mann Plaza Theater on June 25, 1996.<span class="reference" id="cite_ref-var_38-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 38 ] It was then screened privately at the White House for President Bill Clinton and his family<span class="reference" id="cite_ref-time_39-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 39 ] before receiving a nationwide release in the United States on July 2, 1996, a day earlier than its previously scheduled opening.<span class="reference" id="cite_ref-sfc_40-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 40 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">After a six-week, $30 million marketing campaign, Independence Daywas released on VHS on November 22, 1996.<span class="reference" id="cite_ref-41" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 41 ] It became available on DVD on June 27, 2000, and has been re-released on DVD under several different versions with varyingSUPPLEMENTAL material ever since, including one instance where it was packaged with a lenticular cover.<span class="reference" id="cite_ref-42" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 42 ] Often accessible on these versions is a special edition of the film, which features nine minutes of additional footage not seen in the original theatrical release.<span class="reference" id="cite_ref-43" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 43 ] Independence Day became available on Blu-ray discs in the United Kingdom on December 24, 2007,<span class="reference" id="cite_ref-44" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 44 ] and in North America on March 11, 2008.<span class="reference" id="cite_ref-45" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 45 ] The Blu-ray edition does not include the deleted scenes.

Censorship
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In Lebanon, certain Jewish and Israel-related content of the film was censored. One cut scene involved Judd Hirsch's character donning a kippah and leading soldiers and White House officials in a Jewish prayer. Other removed footage showed Israeli and Arab troops working together in preparation for countering the alien invasion. The Lebanese Shi'aIslamist militant group Hezbollah called for Muslims to boycott the film, describing it as "propaganda for the so-called genius of the Jews and their concern for humanity." In response, Jewish actor Jeff Goldblum said, "I think Hezbollah has missed the point: the film is not about American Jews saving the world; it's about teamwork among people of different religions and nationalities to defeat a common enemy."<span class="reference" id="cite_ref-46" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 46 ]<span class="reference" id="cite_ref-47" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 47 ]

<span class="mw-headline" id="Box_office" style="box-sizing:border-box;">Box office
One of the film's creatures on the cover of the July 8, 1996 issue of Time.<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Independence Day was the highest-grossing film of 1996.<span class="reference" id="cite_ref-BOM_1-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ] In the United States, Independence Day earned $104.3 million in its first full week,<span class="reference" id="cite_ref-EW4_48-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 48 ] including $96.1 million during its five-day holiday opening, and $50.2 million during its opening weekend.<span class="reference" id="cite_ref-numbers_49-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 49 ] All three figures broke records set by Jurassic Park three years earlier.<span class="reference" id="cite_ref-EW4_48-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 48 ] That film's sequel,The Lost World: Jurassic Park, claimed all three records when it was released the following year. Independence Day stayed in the number-one spot for three weeks, and grossed $306,169,268 in the domestic market<span class="reference" id="cite_ref-BOM_1-3" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ] and $510,800,000 in foreign markets during its theatrical run.<span class="reference" id="cite_ref-BOM_1-4" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 1 ] The combined total of $817,400,891 once trailed only the worldwide earnings of Jurassic Park as the highest of all-time.<span class="reference" id="cite_ref-50" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 50 ] It has been surpassed by multiple 21st century films since, and currently holds the47th highest worldwide gross of all-time for a film. Hoping to capitalize in the wake of the film's success, several studios released more large-scale disaster films,<span class="reference" id="cite_ref-EW6_51-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 51 ] and the already rising interest in science fiction-related media was further increased by the film's popularity.<span class="reference" id="cite_ref-time_39-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 39 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">A month after the film's release, jewelry designers and marketing consultants reported an increased interest in dolphin-themed jewelry, since the character of Jasmine in the film wears dolphin earrings and is presented with a wedding ring featuring a gold dolphin.<span class="reference" id="cite_ref-EW3_52-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 52 ]

<span class="mw-headline" id="Critical_response" style="box-sizing:border-box;">Critical response
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Upon its release, Independence Day received praise for its visuals and sense of fun, but criticism towards its writing. On Rotten Tomatoes, the film has a rating of 60%, based on 57 reviews, with the site's critical consensus reading, "The plot is thin and so is character development, but as a thrilling, spectacle-filled summer movie, Independence Day delivers."<span class="reference" id="cite_ref-rotom_53-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 53 ] On Metacritic the film has a score of 59 out of 100, based on 19 critics, indicating "mixed or average reviews".<span class="reference" id="cite_ref-meta_54-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 54 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Critics acknowledged the film had "cardboard" and "stereotypical" characters,<span class="reference" id="cite_ref-lat_3-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]<span class="reference" id="cite_ref-sfc_40-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 40 ]<span class="reference" id="cite_ref-dcp_55-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 55 ]<span class="reference" id="cite_ref-EW8_56-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 56 ]<span class="reference" id="cite_ref-nw_57-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 57 ] and weak dialogue.<span class="reference" id="cite_ref-EW6_51-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 51 ]<span class="reference" id="cite_ref-nw_57-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 57 ]<span class="reference" id="cite_ref-sfe_58-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 58 ]<span class="reference" id="cite_ref-ac_59-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 59 ] Yet the shot of the White House's destruction has been declared a milestone in visual effects and one of the most memorable scenes of the 1990s.<span class="reference" id="cite_ref-60" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 60 ]<span class="reference" id="cite_ref-fs3_61-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 61 ] In a 2010 poll, the readers of Entertainment Weekly rated it the second-greatest summer film of the previous 20 years, ranking only behind Jurassic Park.<span class="reference" id="cite_ref-62" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 62 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Mick LaSalle of the San Francisco Chronicle gave the film his highest rating, declaring it the "apotheosis" of Star Wars.<span class="reference" id="cite_ref-sfc_40-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 40 ] Lisa Schwarzbaum of Entertainment Weekly gave it a B+ for living up to its massive hype, adding "charm is the foremost of this epic's contemporary characteristics. The script is witty, knowing, cool."<span class="reference" id="cite_ref-EW8_56-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 56 ] Eight years later, Entertainment Weekly would rate the film as one of the best disaster films of all-time.<span class="reference" id="cite_ref-EW6_51-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 51 ] Kenneth Turan of the Los Angeles Times felt that the film did an "excellent job conveying the boggling immensity of [the] extraterrestrial vehicles [...] and panic in the streets" and the scenes of the alien attack were "disturbing, unsettling and completely convincing".<span class="reference" id="cite_ref-lat_3-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 3 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">However, the film's nationalistic overtones were widely criticized by reviewers outside the U.S. Movie Review UK described the film as "A mish-mash of elements from a wide variety of alien invasion movies and gung-ho American jingoism."<span class="reference" id="cite_ref-63" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 63 ] The speech in which Whitmore states that victory in the coming war would see the entire world henceforth describe July 4 as its Independence Day, was described as "the most jaw-droppingly pompous soliloquy ever delivered in a mainstream Hollywood movie" in a BBC review.<span class="reference" id="cite_ref-64" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 64 ] In 2003, readers of Empire, voted the scene that contained the speech as the "Cheesiest Movie Moment of All-Time".<span class="reference" id="cite_ref-fs_65-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 65 ] Conversely, Empire critic Kim Newman gave the film a five-star rating in the magazine's original review of the film.<span class="reference" id="cite_ref-meta_54-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 54 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Several prominent critics expressed disappointment with the quality of the film's special effects. Newsweek's David Ansenclaimed the special effects were of no better caliber than those seen nineteen years earlier in Star Wars.<span class="reference" id="cite_ref-nw_57-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 57 ] Todd McCarthy of Variety felt the production's budget-conscious approach resulted in "cheesy" shots that lacked in quality relative to the effects present in films directed by James Cameron and Steven Spielberg.<span class="reference" id="cite_ref-var_38-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 38 ] In his review, Roger Ebert took note of a lack of imagination in the spaceship and creature designs.<span class="reference" id="cite_ref-ebert_66-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 66 ] Gene Siskel expressed the same sentiments in their on-air review of the film.<span class="reference" id="cite_ref-ear_37-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 37 ]<span class="noprint Inline-Template" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;"> [<span data-title=" since December 2013" style="box-sizing:border-box;">dead link]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> American Film Institute lists


 * AFI's 100 Years...100 Thrills – Nominated<span class="reference" id="cite_ref-67" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 67 ]
 * AFI's 10 Top 10 – Nominated Science Fiction Film<span class="reference" id="cite_ref-68" style="box-sizing:border-box;font-size:0.6em;line-height:0;position:relative;top:-0.5em;">[ 68 ]

Books
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Author Stephen Molstad wrote a tie-in novel to help promote the film shortly before its release. The novel goes into further detail on the characters, situations, and overall concept not explored in the film. The novel presents the film's finale as originally scripted, with the character played by Randy Quaid stealing a missile and roping it to his crop duster biplane.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">FOLLOWING THEfilm's success, a prequel novel entitled Independence Day: Silent Zone was written by Molstad in February 1998.<span class="reference" id="cite_ref-70" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 70 ] The novel is set in the late 1960s and early 1970s, and details the early career of Dr. Brackish Okun.<span class="reference" id="cite_ref-71" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 71 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Molstad wrote a third novel, Independence Day: War in the Desert in July 1999. Set in Saudi Arabia on July 3, it centers around Captain Cummins and Colonel Thompson, the two Royal Air Force officers seen receiving the Morse code message in the film.

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">A Marvel comic book was also written based on the first two novelizations.

Radio
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">On August 4, 1996, BBC Radio 1 broadcast the one-hour play Independence Day UK, written, produced, andDIRECTED byDirk Maggs, a spin-off depicting the alien invasion from a British perspective.<span class="reference" id="cite_ref-ID4UK_72-0" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 72 ] None of the original cast was present. Dean Devlin gave Maggs permission to produce an original version, on the condition he did not reveal certain details of theMOVIE'S plot and the British were not depicted as saving the day.<span class="reference" id="cite_ref-ID4UK_72-1" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 72 ] Independence Day UK was set up to be similar to the 1938 radio broadcast of The War of the Worlds; the first 20 minutes were set as being live.<span class="reference" id="cite_ref-ID4UK_72-2" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 72 ]

<span class="mw-headline" id="Computer_games" style="box-sizing:border-box;">Computer games
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">An Independence Day video game was released in February 1997 for the PlayStation, Sega Saturn, and PC, each version receiving mostly tepid reviews.<span class="reference" id="cite_ref-73" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 73 ]<span class="reference" id="cite_ref-74" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 74 ] The multi-view shooter game contains various missions to perform, with the ultimate goal of destroying the aliens' primary weapon. A wireless mobile version was released in 2005. ACOMPUTER game entitled ID4 Online was released in 2000.<span class="noprint Inline-Template Template-Fact" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;white-space:nowrap;">[<span data-title="This claim needs references to reliable sources. (July 2011)" style="box-sizing:border-box;">citation needed]

Toys
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">Trendmasters released a toy line for the film in 1996.<span class="reference" id="cite_ref-75" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 75 ] Each action figure, vehicle or playset came with a 3 1⁄2" floppy diskthat contained an interactiveCOMPUTER game.<span class="reference" id="cite_ref-76" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 76 ]

Sequel
<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;"> <p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In June 2011, Dean Devlin confirmed that he and Emmerich had written a treatment for two sequels to form a trilogy, with both Emmerich and Devlin having the desire for Will Smith to return.<span class="reference" id="cite_ref-77" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 77 ] In October 2011, however, discussions for Smith returning were halted, due to Fox's refusal to provide the $50 million salary demanded by Smith for the two sequels. Emmerich, however, made assurances that the films would be shot back-to-back, regardless of Smith's involvement.<span class="reference" id="cite_ref-78" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 78 ]

<p style="box-sizing:border-box;margin-top:0px;margin-bottom:15px;">In March 2013, Emmerich stated that the titles of the new films would be ID Forever Part I and ID Forever Part II.<span class="reference" id="cite_ref-79" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 79 ] In November 2014, the sequel was given an official green light by 20th Century Fox with a release date of June 24, 2016, noting that this will be a stand-alone sequel that will not split into two parts as originally planned, with filming beginning in May 2015 and casting being done after the studio locks down Emmerich as the director on the film.<span class="reference" id="cite_ref-80" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 80 ] In December 2014, Devlin confirmed that Emmerich would indeed beDIRECTING the sequel.<span class="reference" id="cite_ref-81" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 81 ] On June 22, 2015, Emmerich announced the official title, Independence Day: Resurgence.<span class="reference" id="cite_ref-82" style="box-sizing:border-box;font-size:0.53em;line-height:0;position:relative;top:-0.5em;">[ 82 ]